MARINE BOTNICALS -
SEAWEED PRESSING
A 2 Day Workshop
with Mary Jameson
12th & 13th April 2025
10am to 5pm
€350
Workshop Overview
Discover the Timeless Art of Seaweed Pressing
Step into the enchanting world of marine botanicals with renowned U.S. artist Mary Jameson in this immersive two-day workshop. Seaweed pressing, a cherished art form from the Victorian era, invites you to reconnect with nature and capture the delicate beauty of Irish coastal treasures.
In this unique workshop, you will:-
Learn the traditional techniques of seaweed pressing, akin to flower pressing but tailored to the vibrant textures of native Irish seaweed.
Explore a variety of Irish seaweed specimens, guided by Mary’s expertise, and discover their natural beauty and artistic potential.
Create two stunning pressings during the workshop that, once dried, can be framed to bring a piece of the ocean’s charm into your home.
Perfect for beginners and enthusiasts alike, this hands-on workshop is a lovely opportunity to learn a historical craft in a fun and relaxed environment. Whether you're inspired by the Victorian love of marine botanicals or simply looking for a unique creative experience, this class will leave you with new skills and beautiful keepsakes.
Spaces are limited, so reserve your spot today and embark on a creative journey that connects art, history, and nature!
Class fee includes all materials required and lunch on each day!
Accommodation available on campus - please contact us directly via email for more information and to book - info@mulrannyarts.com
About Mary Jameson
Mary Chatowsky Jameson is the owner of Saltwater Studio in Newport, Rhode Island. She is an artist who explores the marine environment for inspiration in her artwork.
“In my current body of work, I am exploring marine algae as a contemporary art form. I collect specimens and organic matter from the intertidal zones along the coast. Back at the studio I study the shape, texture and color of individual species and start a process of symbiotic layering to create new forms. At times I do not combine specimens but am responding to the essence of an individual piece of algae. It may be an essence that embodies the ocean, the unique properties of this organism, or simply my relationship to it at the moment. A key concept with my work is transformation. As I create new forms, the known and unknown intersect in a dynamic way to challenge thought patterns. For most people, seaweed is a nuisance – something to avoid. My work presents a new awareness for consideration and offers new insights into the mysteries and beauty of the marine world.”